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Banjo tries to talk with everyone as much as he can — and he keeps his eyes on the DL for all the new things going on in the music world, and what’s happening on our own label. Anything news-related lives right here.
Everything KoalaQueue does in one place, set beside how SubmitHub, Groover, Playlist Push, Musosoup and Daily Playlists describe their own models as of October 2026.
Pick curators, see the price before you send, and get at least 20 words from somebody who listened for 60 seconds — inside 72 hours, or the credits come back on their own.
Every artist can send 3 free pitches a week to curators who take them. You get a quick yes or no, not a guaranteed review — here is the difference, and when credits are worth it.
Two monthly plans, three one-off packs, and one simple rule: up to a quarter of a plan's monthly credits carry over, and pack credits are yours until you spend them.
Filter by genre, reach, vibe and who you sound like, see a taste match with its reasons, and read every curator’s public page — pace and answer rate included, add rate never.
Your dashboard sums up how your pitches landed, lets you send each curator one thank-you or one question, and exports every review as a spreadsheet.
Artists can report a review that was low effort, AI-written, not a real listen or rude. Curators can flag a track instead of reviewing it. A person decides both.
Park the right curators until you have the credits or the release date, or hold a track for a genre with no curator yet — set aside, not spent, and back after 90 days if nobody joins.
Artists can mark a track as made with AI before they pitch it. Curators can choose not to receive marked tracks. It runs on honesty — nothing here scans audio.